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[ambient, electronic] (2022) Terrence Dixon - Other Dimensions LP [FLAC] [DarkAngie]

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(2022) Terrence Dixon - Other Dimensions LP




Review:
For an artist as prominent and
influential as Terrence Dixon, his music is, in many ways, profoundly strange. Few producers live up to the futuristic
vision of Detroit techno like he does, making record after record of unsettling, out-there loops with just a few
elements. It’s the kind of music you might imagine aliens, or people several hundreds years from now, listening to:
supremely abstract, stripped-back, made mostly of bleeps and bloops. Despite its cold touch, there’s always been an
uncommon soul to Dixon’s work, a quality that shines through even his reduced music. That came out a little more on
last year’s surprisingly emotional Reporting from Detroit, which touched down from space to survey his hometown. On
Other Dimensions, Dixon’s ninth full-length, he launches back into orbit and encounters something like a black hole.
Split evenly between avant-garde techno and dark ambient, this is one of the most foreboding and immersive records of
his long and storied career. The human element is as far as off as it’s ever been. Other Dimensions starts off with
some glorious Terrence Dixon techno: hard-panned melodic leads and the most bone-chilling gusts of wind you’ve ever
heard, a blast of digital ice. But it’s the second track “Aurora” that really captures Dixon’s genius. In any
other producer’s hands, “Aurora,” with its scribbling organ lead that skates and stumbles over the lumbering kick
drum, might sound like a mess. The harmonics are unsettling, if not just straight-up confusing. All the elements appear
to move at different speeds. The effect is disorienting but riveting, like being pulled through changing gravity fields,
the spacetime-continuum ripping before your very ears. If there’s a hit here, it’s probably “Final Results,”
whose urgent FM synths and hypnotic kick-bassline interplay offer a sense of forward movement amidst all the
topsy-turviness. It might be one of Dixon’s best techno tracks in recent memory. But techno it doesn’t feel like the
main attraction here, at least not for me. After five banner Dixon tracks, Other Dimensions flips the switch into
ambient music, a dark, cavernous, empty sort of ambient that comes off more creepy than relaxing. The easiest comparison
would be Lustmord, but just like with his techno, Dixon’s touch here makes even these drones feel unusual, touched by
something unique. If the first half of the album is hurtling through space, then side two is adrift in the void, nothing
around you but pitch-black and the sounds of your own body. There are cinematic flourishes here and there—ominous
brass on “Small Discovery,” choral vocal pads on “Briliiant Rotation”—that nod to classic sci-fi tropes, but
for the most part, the music is unforgiving and bleak. Paired with the trippy, sometimes scary techno of the A-side,
Other Dimensions is a peek into the abyss. This is what happens when you take techno to its logical conclusion: the
whirr and hum of machines. It’s easy to fall into space travel clichés when talking about Dixon’s music (hell, he
encourages it), but you don’t need to close your eyes and imagine a Star Wars spacescape to appreciate Other
Dimensions. Its appeal is in its brutal honesty, in the way it hides nothing. In a discography of mind-bending techno,
this is one of Dixon’s most eye-opening and perversely satisfying releases, precisely because of how little it gives
you. — Resident Advisor


    


Track List:
01.A1. Cosmic
Storms 04:40
02.A2. Aurora 05:23
03.A3. Mystical Journey 03:53
04.A4. Final Results 05:39
05.The
Meeting 04:17
06.B1. Elliptical Orbit 02:46
07.B2. Small Discovery 04:43
08.B3. Brilliant Rotation
06:17
09.B4. Other Dimensions 05:02
10.B5. Yesterday's World 06:40


Media Report:
Genre:
ambient, electronic
Country: USA
Format: FLAC
Format/Info: Free Lossless Audio Codec, 16-bit PCM
Bit
rate mode: Variable
Channel(s): 2 channels
Sampling rate: 44.1 KHz
Bit depth: 16 bits


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